Grace Space: Lost Tones of the Angelic Realm
Grace Space II ... more Angelic Tones
There are three levels to the solfeggio tones: the Earthly or Archetypal, the Divine or Heavenly, and the Universal or Cosmic. Within each level there are two components, the Masculine and the Feminine. The Feminine is made up of nine tones in each level while the Masculine is made up of six tones. When all the tones of a component are played they create a harmonic or the tone of Oneness. In the Feminine component this known as the “Eden Frequency.” In the Masculine component the tone of Oneness is known as the “Gateway of Metatron.”
The history of the solfeggio tones begins with King David, who then passed the secrets on to Solomon. Sometime after Solomon, the tones were lost. David was given six tones, which he created with strings on his lyre. These tones are all used with the psalms, also created by David. The mathematics of the tones matches the mathematics of the psalms (gematria). Solomon used the tones and the gematria in the creation of the Song of Songs, also a psalm. This was considered the most sacred of the psalms.
During the creation of Gregorian chant, the solfeggio tones were rediscovered, these based on five notes. Later, a sixth note was added. These were based on the discoveries of Pythagoras and his harmony of the spheres. These also were later lost. In the 90s, Dr. Joey Puleo was given the secret of the gematria in a vision. He saw the actual frequencies of the solfeggio during appearances of Jeshua and an angel that Dr. Puleo did not name. After the turn of the millennium, Joseph Crane was told in an appearance of Archangel Michael that two solfeggio scales existed — one profane and one sacred. The sacred has been known as the “secret solfeggio” or “Sacred Solfeegio.” Later, Michael gave Joe Crane six of the frequencies to the Sacred Solfeggio to be used in healing. And more recently he told Crane that a subset of the frequencies existed, called the Divine Masculine frequencies.
In 2009 the code of both solfeggios was cracked by G.W. Hardin, through the guidance of Archangel Gabriel, and shown to be linked together mathematically. During the process, yet a third set of solfeggio frequencies showed up in the mathematics. Using what is called the Pythagorean skein, the third set being made up of the sum of the first two sets. What also showed up was an entire fractal system of solfeggios that affect specific parts of the bodies. These frequencies and the Solfeggio Matrix mark the return of the solfeggio tones to humanity. The tones are currently being played worldwide to heal and advance the planetary consciousness. It is strongly recommended to play these tones only with loving intent for oneself and for others.
It has been did-covered that there are six numbers that underlie the fundamental physical properties of the universe, and that each is the precise value needed to permit life to flourish. These six numbers are a foundation for universal creation. If any one of the numbers were different, even to the tiniest degree, there would be no stars, no complex elements, no life. C ould these tones have played a role in the miraculous shattering of Jericho’s great wall in six days before falling on the seventh day? Some scientists are now stating that if we have been created, we most likely would have been sung into existence. Is it possible that the six days of creation mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe both events occurred as a result of sounds being spoken or played.
Other scientists, including the geniuses Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. There are two sets of 3-6-9 (anagrams) in the solfeggio, serving as "portals" to other dimensional frequencies.